BANDONEON
This wonderful instrument followed the piano and the accordeon in my life. I fell in love with tango through Carlos Saura’s Tango movie and although at that point I started only dancing, tango music conquered me from that moment on. Bandoneón has not been taught by anyone in Hungary and few teach how to play it in Europe, so I learnt to play by myself on the instrument I received in the year of 2005. I could immediately try the genre in
Orquesta Típica Budapest, the local tango band in the city of Budapest.
In 2010 I took lessons via Skype from the Argentine bandoneonist and arranger,
Julian Hasse. In 2014 I participated in the
Musitango orchestra workshop in Aix-en-Provence, France where I found the great bandoneonist,
Victor Villena, who has been teaching and helping me a lot since then. I keep on participating in his masterclasses mainly for solo bandoneon in France (Aubagne, Avignon, Parisy). I spent a year learning jazz improvisation from
Bert Seager, a great Boston based jazz pianist. In 2016 I took classes from the excellent bandoneonist, Omar Massa, who is a specialist of Astor Piazzolla’s style and music.
I have been playing with different orchestras since the beginning, luckily with great musicians.
I founded my own group, the Eszter Vörös Tango Company mainly to interpret authentic Argentina tango and other styles that derive from it. It functiones as a musical workshop with different musicians.
In 2017 I was invited to play in the concert of legendary Hungarian musician, singer and composer,
János Másik, with whom I could taste rock music as well. In 2018 I was the guest of world-famous opera star,
Erwin Schrott in his Opera Gala event in Budapest.
In my reperoire of orchestral works there is
Martin Palmeri’s Misa a Buenos Aires (Misatango) and
Piazzolla’s Double Concerto for Guitar and Bandoneon and String Orchestra.
As a freelancer I have been invited to cooperate with different types of groups and projects: I played with tango groups, a symphony orchestra, a string quartet and a mixed choir.
My first instrument was an
Alfred Arnold (the most popular and important make in the bandoneon world), now I am playing a new
Fischer (one of the few makes that are currently produced in Argentina).
If you want to invite me to play, contact me via the following address:
mail@esztervoros.com
The bandoneón:
The bandoneon is an instrument of German origin, it was invented inthe 1830’s to replace the church organ. Legend has it that sailors from Europe brought it once to Buenos Aires where it soon became the most important instrument of Argentine tango (the „soul” of tango). It was part of the so called orquesta típica, the traditional tango orchestra, already in the early stages of tango history. Its popularity is rising nowadays around the world, jazz and experimental musicians like to use it and find new roles for this stunning instrument.
The bandoneon has always been produced in Europe and exported to Argentina and Uruguay (the one made for tango musicians) but for a few years there have been luthiers who also made bandoneons.
Its principle of operation is same as that of the accordeon, but the bandoneon has only buttons on the sides, and each button makes the sound of one note at the same time, but a different sound when pulling and pushing.
In the video made by Origo.hu accordeonist Katalin Agnecz and I explain the difference between the two instruments (in Hungarian).
In the press, on the web:
Interview on Budapest Tango Memo
A tangó lelke
Mit dem Bandoneon zu sich selbst
A Lanner kvartett visszatért
Pezsgő Muzsika
Teltház és fergeteges hangulat a nőnapi esten
SZENVEDÉLY – Vörös Eszter, a bandoneon királynője